
Ezekiel Is Shown the Holy City and Its Gates
Ezekiel stands on a hill beside a bronze-coloured man who points toward a walled golden city. Fields in broad bands and a temple on a mount stretch below.
Prompt
Ezekiel 48: the land divided among the twelve tribes, and in the midst the holy city with twelve gates, three on every side, whose name from that day shall be "The LORD is there". Ezekiel, a priest in a plain linen robe, stands large in the foreground on a high hill beside the man whose appearance is like bronze, a tall figure gleaming like living polished bronze, wearing a bronze-coloured wrapped head-cloth, who points out over the land; below them stretches a fertile plain divided into broad parallel bands of fields, vineyards and pasture running east to west, and at the centre a square walled city of golden limestone with three gates on each side and the temple on its holy mount beyond, all bathed in radiant golden light under a clear sky. Style: a blend of photo-realism and cinema, like a still from a big-budget film. Bright, rich, saturated, luminous colour, clear daylight or glowing golden light even in dramatic scenes, never murky or muddy, crisp detail, real human faces full of emotion, shallow depth of field, subtle film grain. Simple, uncluttered composition: ONE clear scene from this chapter, with the chapter's main character or characters large, close and central in the upper and middle frame, and a simple background. No montage, no collage, no inset vignettes, no crowd of small figures competing for attention. Historically accurate ancient Near Eastern clothing, architecture and landscape. Keep the bottom quarter of the frame simple and uncluttered (ground, water or sky) so a large chapter number can be set over it. Absolutely no text, no letters, no words, no numbers, no logos, no watermark, no border, no frame.
Comments
No comments yet.